San Fran's 'Flagging in the Park'
Flagging in the Park, the celebratory fabric-spinning party and commemoration, returns to the National AIDS Memorial Grove next Saturday, July 26. A combination of festive outdoor event and fundraiser, the roots of the swirling tie-dyed dance form goes back to the earliest days of gay culture, and even decades before.
For organizer Xavier Caylor, flagging brought him to San Francisco. And while he almost left his heart here, he's become devoted to these events.
After learning the basics of the movement form in 1997 on Will Rogers Beach in Santa Monica, Caylor visited San Francisco, fell in love with a man, and the city, and has since been an integral part of the events for more than a decade.
"I fell in love through flagging, so it has a special place in my heart," said Caylor, who has co-produced most of the events, and also works as an American Sign Language interpreter. This year, Grass Roots Gay Rights West (the Real Bad dance event producers) is working with the flaggers on a series of fundraisers for local AIDS/HIV nonprofits.
Colorful flags and dance music in an otherwise quiet park landscaped specifically to commemorate those lost to AIDS may seem incongruous to some. But for the tribe of flaggers, poi dancers and their friends, it's a perfect union of the somber, the celebratory, and yes, even the sexy.
"Our pre-Dore event is annually the biggest," said Caylor of the well-timed midsummer event that's scheduled a day before the Up Your Alley Street Fair in South of Market. "So many people are in town for that, and there is a loose connection between flaggers and the leather community. There's even a term, 'flag daddy,' for the person who taught you how to flag."
With more than 100 attendees dancing, picnicking, even blowing giant bubbles, the events draw people of all ages, from seniors to parents with small children and dogs.
There have been variations, including earlier versions that were held in other parks. But with sound permits and distractions in other parks, the event has all but settled in with the AIDS Grove.
"A DJ producer took the event over in 2003 and 2004, and produced his own version in Dolores Park," said Caylor, who took over the producer reigns in 2005. In the past few years the events have raised thousands, including for the AIDS Grove itself, which is this year's beneficiary.
Three years ago, Caylor had a chat with Damron's Guide publisher Gina Gatta while at a Play T-Dance fundraiser, a quarterly dance event where flaggers are also popular. By coordinating flagging events with popular DJs' local visits, they've been able to get big names to volunteer for the fundraisers. Next week's event features New York DJ Warren Gluck, whose talents go back to the days of the legendary Saint parties.
The roots of flagging in the gay community are varied, according to sources.
"I've heard different stories and tales from the 1970s," said Caylor. "But there is a connection to the leather community. Usually, the people who had the balls enough to wear leather were also the ones to dance with fabric."
The emerging circuit scene also popularized flagging in the 1990s. "There was more cross-pollination then," said Caylor. "These days, we all tend to label ourselves. But it is a loving, giving community."
Caylor is featured in Wolfgang Busch's 2011 documentary "Flow Affair, the Evolution of Flow Arts." The film charts the New York, Chicago and San Francisco scenes, and in several interviews, shows why and how the dance form remains. From fire-dancing Burning Man devotees, to Fire Island gays surviving AIDS, the dance form itself presents a sort of meditation for participants.
With small weights sewn into the hems, designers create flags in a variety of shapes, but most opt for a manageable two-handed pair. Accomplishing a rippling flow of movement is not easy, and can't be forced. In nightclubs, often a little black light creates a magical effect.
That lighting and flow goes back decades before the emerging gay culture. Caylor reminded me of the first modern fabric choreographer, Loie Fuller. The Chicago-born dancer (1862-1928) who worked in vaudeville, burlesque and eventually the Folies Bergere, became internationally known for her magical flowing fabric performances. Fuller even became the human embodiment of the Art Nouveau movement.